An evening of Christmas traditions and music from all over the world: The Famous Christmas Swingers perform Christmas carols and Christmas standards under the direction of Christian Meyers.

Jazz & Lyrics I: Christmas in Jazz

Deutsche Oper Berlin

Umberto Giordano’s FEDORA swings between whodunnit and the world of political intrigue, at once a tragic love story and a riveting psychogram. The opera was based on the play of the same name by Victorien Sardou, a French playwright who had already provided the source material for Puccini’s TOSCA. The triumphant world premiere of FEDORA in 1898 at the Tetro Lirico in Milan went down in history for featuring the break-out performance of the legendary tenor Enrico Caruso, who established its best-known aria, “Amor ti vieta”, in the collective memory of the world’s operagoers. That first production went on to huge international acclaim, touring Vienna, Paris, Hamburg and the New York MET. Giordano’s best received work after ANDREA CHÉNIER, FEDORA continues to thrill audiences with its musical richness and iconic melodies as it goes about depicting a fin-de-siécle elite whose private issues become entangled with political wheeling and dealing.

Fedora

After the great success of Lonely House, Katharine Mehrling returns to the Komische Oper Berlin with a staged evening of songs by Kurt Weill. While Lonely House was devoted entirely to Weill’s exile in Paris and New York, the focus tonight is on the songs from Weill’s Berlin period, arranged for orchestra by Kai Tietje and staged by Barrie Kosky.

... und mit morgen könnt ihr mich!

Schiller Theater

Grab your favorite cuddly toy and come along! Because we’re setting off on an adventure with our fluffy friends. We’ve always known deep down that there’s a little spark of life inside our friends Bear, Monkey, Lion, and Tiger, and now, on the big stage, we’ll discover what they get up to when we’re not looking. Get ready for all the surprises they’ve got in store for us!

The cuddly Toy Concert

Podcast link: https://youtu.be/4hagYvrYbuM

The Artelize Podcast and Kasper Holten - Pedefining Opera for the modern world

Podcast link: https://www.youtube.com/watch?v=d36M5Hi6O80

The Artelize Podcast - A legacy of innovation in Opera: Celebrating Marc A. Scorca

Podcast link: https://www.youtube.com/watch?v=59E40S_EQSY

The Artelize Podcast: A love letter that was never sent

Podcast link: https://www.youtube.com/watch?v=THv6htilWtI

The Artelize Podcast and Adolfo Corrado: Mediterranean flavors, opera and social media

It's Christmas Eve. After the wonderful festivities, little Klara falls into a deep sleep. She dreams of a fantastic journey to the fairytale sugar country, accompanied by the nutcracker, her most beautiful gift.

Children' s ballet - The Nutcracker

In the heart of the desert, three fugitive criminals establish the city of Mahagonny. This ‘paradise city’ has its own rules for living life, fueled by the wealth of men passing through from the Gold Coast. Eating, loving, boxing, and drinking are the order of the day. However, this idyllic utopia soon begins to falter, as natural disasters, excesses, violence, and corruption push the city to its breaking point.

Rise and Fall of the City of Maha­gonny

Figaro and Susanna, servants at the court of Count Almaviva, are soon to marry and are furnishing the lodgings that they’ve been allotted in the Count’s castle. Figaro is gleefully taking measurements for the conjugal bed, but Susanna is worried: the Count’s passion for his wife has long since cooled, meaning that he might invoke his “right to the first night”. Figaro is determined that it won’t come to that, but another issue is plaguing him too: before lending him a sum of money, Marcellina, the Count’s housekeeper had wrung from him a pledge to marry her if he defaulted, and that time has now come. To complicate matters, in the Countess’s chambers Susanna is asked by the Count’s page, Cherubino, to put in a word for him because he’s been fired for a dalliance with Barbarina, the Count’s gardener’s daughter. The Count enters suddenly and tries to negotiate a tryst with Susanna, forcing Cherubino to hide, whereupon Basilio the music teacher arrives, and finally Figaro. The situation heats up and the only person to keep a handle on things is Susanna.

Le nozze di Figaro

Lieutenant Pinkerton has fallen in love with the geisha Cio-Cio-San, known as Madama Butterfly, and wants to marry her according to Japanese custom without entering into a permanent relationship. But Butterfly truly loves Pinkerton and has a child by him. For years she waits in vain for the lieutenant to return. When Pinkerton does return, he arrives with his new American wife to pick up the child, and Butterfly stabs herself with a dagger.

Madama Butterfly

Bebelplatz

Long before Oscar Wilde’s interpretation, the figure of Salome already appeared in the Bible. There, the story was about how King Herod, his stepdaughter Salome, and John the Baptist (Jochanaan) each lose their heads—although in very different ways...

Sa­lo­me

At the age of almost 80, Giuseppe Verdi, who had already achieved mythical status, once again achieved sensational success with this opera. Using the brilliant libretto of the much younger Arrigo Boito as a starting point, he created a masterpiece of comic opera after five decades of tragic works. Although it is based on the same material as Otto Nicolai’s The Merry Wives of Windsor, Verdi succeeded in writing a distinct, subversive version of the comedy.

Falstaff

It is the summer of 1789. A festivity is being prepared in the castle of Countess de Coigny. Charles Gérard, a servant of the Countess´ voices his hatred of the French aristrocracy´s decadence. His aged Father is forced to labour all day long and Gérard himself leads the undignified life of a lackey. Moreover, he is secretly and unhappily in love with Madeleine de Coigny, the daughter of the House with whom he was raised. The political situation is very tense. When the visitors attending the ball finally arrive, they try to distract themselves from the disquieting news from Paris with the help of arcadian idylls and games. The young poet André Chénier is among the guests. Madeleine requests him to recite a poem. He sings of love and laments the injustice of the powers that be in such a convincing manner that Madeleine is deeply moved and forced to quit the room. The doors are suddely opened and a mob of irate people led by Gérard shocks the ball guests. However, the Countess manages to pacify and disperse the mob. The dancing continues.

Andrea Chenier

Mrs Bertie Bartolotti had intended to spend the evening at the opera with Mr Egon, but now she’ll have to change her plans. Never in her wildest dreams did she imagine that a misdelivered tin can would turn her into a mother! The Himmelblau company, experts in mass-producing model children, has sent her the Premium Chromo.XY/3859 model, with hair parted to the side and the name Conrad. But what does such a child actually need? And what does he like? Hot peppers? Jellies? Liqueur chocolates? Sardines in oil? Well, best to start by putting a bit of everything on the plate! Conrad loves order and rules, so unfortunately he knows only too well that good children always finish their plates...

Con­rad or The fac­to­ry-made boy

Hansel and Gretel, children of a poor broom maker and his wife, are sent into the woods one day by their mother to pick berries – as punishment for larking around instead of doing their chores. When their father arrives home bearing a bag full of treats after a successful working day, he berates his wife, because the woods are home to an evil witch. The parents set off to look for the kids, who have meanwhile filled their baskets but then eaten all the berries themselves out of sheer hunger. They also realise darkness has fallen and they’re lost, so they lie down for the night and say their prayers, falling asleep and having a strange and wonderful dream. In the morning they wake to see a cottage made of gingerbread and other sweetmeats. Nibbling at the house, they are surprised by the witch, who takes them captive, planning to bake the children in her oven. Instead, they play a trick on her and push her into her own oven. The spell is broken and all the children who had been transformed into gingerbread by the witch regain their human form. The pair’s parents appear and the reunited family returns home.

Hansel and Gretel

Lieutenant Pinkerton is attached to an American ship currently moored in Nagasaki harbour. He has been courting a 15-year-old geisha girl named Cio-Cio-san, known as Butterfly, who is from a poor but genteel family and takes love very seriously. Pinkerton wants to enter into a “time-limited marriage” – not uncommon between European men and geishas at the time – and is even being helped by Goro, the marriage agent, to find a cottage in which they can spend their honeymoon. The US consul, Sharpless, warns him against such a step, but Pinkerton brushes him off and even toasts the day when he will take an American to be his “real” wife.

Madame Butterfly

It is one of the classics in the Staatsoper’s repertoire: August Everding’s production of Wolfgang Amadeus Mozart’s The Magic Flute. The production is unique for its reconstruction of Karl Friedrich Schinkel’s 1816 set design for what was then the Berlin Court Opera on Unter den Linden – including the legendary starry sky for the Queen of the Night, which has become an icon of scenography and continues to enchant audiences.

Die Zauberflöte (Everding)

Since 2010, chamber music ensembles of the Staatskapelle have been performing at the Bode Museum, a jewel of Berlin's museum landscape. Matinee concerts lasting just over an hour in the Gobelin Hall, with diverse programs that include music from the Baroque and Classical periods as well as works from the Romantic and Modern periods, can easily lead into further hours in the museum—for example, with a guided tour of the exhibition and the "Artwork of the Day," a private tour, or a culinary finale in the stylish museum café.

Museum Concert III

UNESCO Weltkulturerbe Museumsinsel

The tragic drama of an oppressed person from society’s lower classes: Wozzeck, a hardworking but penniless soldier, is increasingly losing control of his life and his mind. He is seized by increasingly violent psychotic episodes, until in a delusion, he stabs and kills his girlfriend Marie.

Wozzeck

Ohad Naharin is a world-renowned Israeli choreographer and the inventor of the Gaga movement language, which, originating from the Batsheva Dance Company in Tel Aviv, has now spread globally and is taught worldwide. To allow dancers to form a personal and emotional connection with the material and the moment of the performance beyond the choreography itself, the Gaga method works towards complete emotional openness.

Minus 16

When was the Komische Oper Berlin founded? What do they mean by ‘Komische Opera’ or ‘comic opera’? And what’s actually behind the curtains at the Schiller Theatre? You can get answers to all these questions with a guided tour of the Komische Oper Berlin at the Schiller Theatre. Enlightened by fascinating theatre anecdotes, amusing looks back in time, and digital glimpses of the future, we take a closer look at what’s happening behind the scenes. Experience the magic of the stage up close!

Führung Spezial Bühnenbild "Salome"

Don Giovanni knows what he wants, how to get it and how to throw an outrageously decadent party. Servant Leporello groans under the seductive arts of his master, as he has to pay for everything afterwards. When Don Giovanni murders the Commendatore in a duel for the honor of his daughter Donna Anna, Leporello has had enough. Don Giovanni likes to seduce, trick and gamble for his life, until he suddenly has to face death young and wild ...

Events in Berlin this month

Jazz & Lyrics I: Christma...

Deutsche Oper Berlin

Fedora

Deutsche Oper Berlin

... und mit morgen könnt ...

Komische Oper Berlin

The cuddly Toy Concert

Komische Oper Berlin

The Artelize Podcast and ...

Artelize

The Artelize Podcast - A ...

Artelize

The Artelize Podcast: A l...

Artelize

The Artelize Podcast and ...

Artelize

Children' s ballet - The ...

Deutsche Oper Berlin

Rise and Fall of the City...

Komische Oper Berlin

Le nozze di Figaro

Deutsche Oper Berlin

Madama Butterfly

Staatsoper Berlin

Sa­lo­me

Komische Oper Berlin

Falstaff

Staatsoper Berlin

Andrea Chenier

Deutsche Oper Berlin

Con­rad or The fac­to­ry-...

Komische Oper Berlin

Hansel and Gretel

Deutsche Oper Berlin

Madame Butterfly

Deutsche Oper Berlin

Die Zauberflöte (Everding...

Staatsoper Berlin

Museum Concert III

Staatskapelle Berlin

Wozzeck

Staatsoper Berlin

Minus 16

Deutsche Oper Berlin

Führung Spezial Bühnenbil...

Komische Oper Berlin

Don Gio­vanni/­Re­qui­em

Komische Oper Berlin

Salome

Conrad or The factory-...

Don Giovanni/Requiem